Destiny The Taken King


A few months ago I reviewed Destiny and didn’t think much of it. I didn’t like it. It felt like it had potential but it was lacking a lot of content and felt like a glorified beta version of a game. When The Taken King was announced and I started reading more of what it had to offer I started feeling cautiously optimistic. Characters were supposed to be more fleshed out, Nolan North came in to take over from Peter Dinklage, they were balancing multiplayer, making the random loot drops more frequent, there would be more variety in missions and just more content in general.

After spending some time with The Taken King I have to say that I’m impressed by the changes Bungie have implemented. I wish this was the game they released originally. There’s more story, heart and character within the first 20 or so minutes of the Taken King than the entirety of Destiny 1.0. I still feel like there could be more content in the game, but this is a big step in the right direction. Bungie have done a good job implementing a lot of mysterious elements in the new area you unlock in the Taken King. The Dreadnaught. The Dreadnaught is interesting, but can get repetitive over time because it’s not really a huge area and it’s not really visually impressive like a planet can be. The thing is that even though the Dreadnaught isn’t as big as the other areas in the game it’s filled with secrets. You’ll find treasure chests scattered around the ship that require specific keys.

Bungie have done other things to keep people playing Destiny. One thing they’ve done is release quests that last 24 hours and that drop unique loot. To activate these quests there are a number of pre-requisites that are needed; usually these pre-requisites are unknown until these quests activate. Once the 24 hours are over, there’s no way to get these weapons until Bungie activates the quest again. This is a cool quest system to have but at the same time it kind of sucks for some of us because of the limited time these quests are active. It doesn’t tend to be a problem if you’re still in school but for someone who works (and is married) it takes a lot more effort to complete these quests so I end up missing a chunk of the game.

The Crucible, the PvP mode of Destiny is still a lot of fun. With the Taken King there are more maps to fight in, so there’s a lot more variety which keeps things fresh for longer. The only problem with the Crucible is that if you don’t own a good shotgun or a good sniper rifle, chances are you’re not going to do well in it. That should be a pre-requisite for even joining the Crucible. Bungie are planning on re-balancing the weapons so the shotguns aren’t as powerful as they are now, but that update still hasn’t gone up. Another positive addition to the Crucible is a quest-line. Basically different challenges you have to complete while fighting in the Crucible that reward you with experience points and loot.

The problem with Destiny right now is that the content is still limited. I’ve reached a point where I don’t need to play Destiny constantly. I play it a few times a week for an hour or two before switching over to something else. I’ve recently started playing it with friends and it’s a whole different experience than playing it with random people online. So that’s keeping things fresh for now. I originally would have never recommended Destiny to anyone, but with the addition of the Taken King that changes. The game still has issues, but it seems as though Bungie are listening to some of the criticisms the game has received and making the appropriate changes. Hopefully this lasts.

I highly recommend reading Kotaku’s investigation into what happened with the development of Destiny, as it sheds a lot of light on why Destiny launched with such lackluster content.

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Star Wars Battlefront


Earlier this week EA and DICE opened the beta for Star Wars Battlefront to everyone who owns a PC, Xbox or PS4. I got to spend some time with it and at first I wasn’t sure what to think of it. It doesn’t help that the beta is pretty limited in what it has to offer. There are only two levels for competitive multiplayer and one level for single-player/co-op. It’s obvious that the developers are trying to make this game as accessible as possible, it’s aimed towards a casual audience and to the fans of the franchise. That’s not necessarily a bad thing either. It really depends on what the full game ends up offering its players. If the other game modes and maps are lackluster than this is going to be the kind of game that people play a lot of at first and gradually stop playing entirely after a month or two. But if the game modes and content are exciting and fun, then I think players will forgive the fact that it doesn’t take a lot of skill to be good at Battlefront.

It’s hard to judge the entire game on the beta, but if we were there are a couple of things that worry me. Largely the spawn points in the level based on Sullust were terrible and reminded me more about Call of Duty than it did Battlefield, which has a pretty decent spawn system. In Hoth you can end up being spawned right by, or behind an enemy and either get an easy kill or be killed which makes for a frustrating time. Another issue I have is that the different weapons we had access to didn’t really make a difference in a persons ability. Most of the time kills are based on who shoots first, no matter what weapon they have. Once you are under fire, you’re limited in what you can do to avoid getting killed, unless you’ve unlocked the jetpack which allows you to jump long distances. But you want the jetpack? You’ve got to play the game for quite some time to level up and to eventually unlock it (among other, better equipment).

Overall I enjoyed my brief time with Battlefront and I’ll be buying at launch. The game is beautiful, the menus are sleek, the music and sound effects incredible. The entire presentation of the game is just wonderful and spot-on. But then again, I’m a big fan of Star Wars. Battlefront won’t convert anyone into a Star Wars fan, but it’ll keep the fans of the franchise entertained. People who dislike or just don’t care for Star Wars will end up avoiding this game because there aren’t any interesting, new or innovative game-play features or mechanics. Most likely that won’t even matter because there are a lot of fans of the franchise that want to play a Star Wars game. Ultimately, this will be the kind of game I play when I take breaks from a game I spend a lot of time in, like Fallout 4 which will be released a week before Battlefront. I won’t be surprised if a lot of other people will be doing the same.

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Chrono Trigger – Retrospective Review


With the recent trend of remasters and remakes I thought I would highlight games that have aged well enough to still be played and feel as though it was just released yesterday. The first game that popped into my head was Chrono Trigger.

Chrono Trigger was first released on March 11, 1995 for the Super Nintendo. The game was developed by a superstar team that included Hironobu Sakaguchi (Final Fantasy), Yuji Horii (Dragon Quest) and artist Akira Toriyama (Dragon Ball & Dragon Quest). Yasunori Mitsuda (Xenogears, Chrono Cross) composed the music for the most part, but Nobuo Uematsu (Final Fantasy) also contributed once Mitsuda fell ill.

Chrono Trigger is a role-playing game that featured some revolutionary and innovative features that have since become the norm in most modern role playing games. Enemy encounters weren’t random. Enemies are visible on the map and are avoidable. Unlike previous role-playing games that had a separate battle screen when you encountered enemies, fighting in Chrono Trigger is quick and happens directly on the map. And when you’re fighting, the game features “Active Time Battle” which means that enemies won’t wait for you to attack before attacking themselves which makes battles more hectic, intense and fun. Another welcome addition to the battle mechanics is the ability for characters to team up and combine moves together to perform some devastating attacks. My favorite aspect of Chrono Trigger is the ability to travel through time. This ability allows you to visit the same areas at different time periods, so as you complete side-quests in the past you can see how your actions affect the future. Chrono Trigger also has 15 different endings (including a bad one). Playing through the game multiple times was made easy through a new mode called New Game+. In this new mode, special abilities, your characters’ stats and equipment carried over from your previous game. This allowed you to beat the game at a much faster pace, encouraging players to try to view the other endings without making it feel like a chore.

The game still looks good after all these years partly due to the detailed pixel art. Good 2D visuals tend to age much better than good 3D visuals. Each time period in Chrono Trigger has their own unique color pallet and theme, so you’ll easily be able to distinguish each time period easily and areas don’t have that “same-y” feel. The characters all look great as well, which is rare for a JRPG, there always tends to be one or two badly designed characters. Each character has an interesting backstory and distinctive personalities. As you travel through time learning more about each character, you see how they developed into who they are. The villain, Lavos is another unique aspect of the game. Lavos is a terrifying, huge parasitic monster. Villains in JRPG’s usually tend to talk a lot about their motives, reasons for why they’re trying to achieve their end-goal. Lavos is special in the sense that as a creature, it doesn’t speak. There is no reasoning with Lavos. It has one purpose in life and that is to drain planets of their energy before moving onto the next one.


Since the Super Nintendo release of Chrono Trigger, the game has been re-released on the Playstation, Nintendo DS, the Wii’s Virtual Console, iOS and Android. The best version to play is the Nintendo DS version which includes two extra dungeons, the animated cut-scenes, an improved translation and a second screen, that shows the map of the area you’re in and allows you to place menu shortcuts. Amazon still sells the Nintendo DS version for a pretty decent price. But if you don’t own a Nintendo DS or a 3DS, the smartphone version of the game is based on the DS version of Chrono Trigger. You’ll just be stuck with touch controls and no second screen, but on the plus side it’s only $10 which is a steal for a game like Chrono Trigger. The Playstation version can be downloaded if you own a Vita, but I would avoid this version because it (for some odd reason) adds load-times, there’s also an issue with slowdown during battles and an inconsistent sound quality.

Chrono Trigger is one of those titles that every person who enjoys video games should play. The same way every movie fan should watch the Godfather at least once or anyone who loves music should listen to the Beatles. Chrono Trigger will stick with you, I first played the game almost 20 years ago and I never forgot it. There are scenes and moments in the game that will stick with you: the courtroom scene, the jail break, the first time you visit the future. Are early memorable examples. I carry Chrono Trigger around with with my 3DS at all times, sometimes I’ll start a new game but not to necessarily beat it, but just to just have a taste of the game and meet the characters all over again. This was the game ultimately changed my life by introducing me to role-playing games. The characters, the art, the music, all near perfection.

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Wolfenstein: The New Order


Back when Wolfenstein: The New Order was first released I felt that the market was oversaturated with shooters that all felt the same. I even wrote about it. I didn’t really give the game a chance until I found out the studio who worked on it. MachineGames was founded by key members of a studio called Starbreeze Studios. Starbreeze Studios were in charge of two great games, Chronicles of Riddick and The Darkness. Both those games weren’t your typical shooters. There was greater emphasis on the narrative and a greater emphasis on immersion. The pacing was different than most first person shooters. This made the purchase of Wolfenstein: The New Order a no brainer for me.

But when I started the game, I had mixed feelings. The games prologue felt like your typical FPS game. There was a lot of running around in trenches, shooting Nazis, running around a bunker shooting more Nazis. It’s long too, but it also gave the player a good idea of what to expect in terms of gameplay, there’s a little bit of choice when going through the different levels. You can either go in gun-blazing or go in stealthy. You’ll encounter commanders as you progress through each level and if you take down these commanders without raising the alarm, it unlocks the location of each secret on your map. If the alarms are raised, waves of enemies will come at you until you take down the commander. Besides that there are various challenges that you can complete to unlock a variety of perks that range from the amount of ammo you can carry to the speed of your reload. These challenges are optional, but encourage you to play a specific way which makes things more interesting.


At the end of the prologue you meet the creepy Deathshead and that’s where the game takes a turn for the better. I love the concept of an alternate history. The one MachineGames created for The New Order is no exception. You can discover more and see how the world differs by reading news clippings that can be found throughout the game. These news clippings will answer some questions you might have, but not all, leaving you with enough curiosity to want to come back to this world in the future.

There are a lot of great moments in this game, some remind me of MachineGames previous titles. Like a prison segment that’s quite reminiscent to one from Chronicles of Riddick. Without revealing anything, there’s a scene on a train that’s incredibly intense and just a joy to watch unfold. I enjoyed these moments of quiet, where shooting was not involved. Exploring your base, talking to the other characters, playing the old-school Wolfenstein level. It also helps that the game is designed incredibly well. I had fun looking around the environments. The design elements of objects like the Nazi propaganda posters, the little food packaging that you find lying around, the technology, all looked beautiful.


Everything sounds good too. Mick Gordon (who also worked on Killer Instinct and the upcoming Doom game) does a great job at creating music that fits the mood of the game perfectly. One of the most annoying things in a shooter is picking up a gun that looks powerful and having it sound like a much smaller gun. It throw the “feel” off completely. Thankfully all the guns in this game sound like they look. The big ass automatic shotgun sounds a lot more powerful than the normal double-barreled shotgun.

MachineGames hit the jackpot with Wolfenstein: The New Order. My only other complaint besides the games opening is that I felt the final battle in the game could have been done better. MachineGames built a world thats immersive and they showed enough of it in the New Order to make me want to know more. It will be interesting to see which direction they take the story in. Hopefully they can maintain the standard of quality they set themselves in The New Order.

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One of the greatest features to come out of the last generation of consoles was the ability to download games straight to our consoles. This along with the fact that Sony, Microsoft and Nintendo gave the means for indie developers to publish their games, we were able to experience games that probably wouldn’t exist otherwise. The popularity of these games didn’t go unnoticed. Sony signed Thatgamecompany right as the two founders were finishing up their master’s degrees. Thatgamecompany released Flow and Flower before giving us Journey. All three games felt like some sort of experiment. In Flow you played as a microorganism and in Flower you controlled the wind.

Journey is special. I still remember the first time I played it and beat it. At the time I only owned a Wii and an Xbox 360, so I wasn’t really following any news or releases regarding the PS3. I had heard of Thatgamecompany but didn’t really pay much attention to them. One night I was over at my friends house while a friend of ours was visiting from abroad and they encouraged me to play through Journey. We sat there in the dark for two hours while I went through the game, pretty much in silence the entire time except for the occasional “wtf” moments. At the end I was speechless, the game took my breath away, I’ve rarely experienced that kind of moment and I’ve been playing games for over 22 years. This might all sound like hyperbole, but I mean every piece of praise I write. It might have been that one specific night I played the game, maybe the stars aligned just right, I’m not sure what it was but when I was done with Journey that night, it left a lasting impression on me.

In Journey you control a robed figure. You start off on a dune and your goal is to reach the summit of a mountain that is illuminating light. Along the way you have to solve simple puzzles. Your character wears a scarf, its length determines how long you can fly through the environment. The game is pretty linear, but you can explore off the main path and discover secrets that explain the games mysterious lore. You can also find glowing symbols that will increase its length of your scarf. The longer the scarf the longer you can fly.

One of the games special features is its multiplayer. As you traverse the world you’ll come across other players. You’re randomly placed together so you can’t control who you play with. The only way to communicate with the other player is through a serious of sounds and pings. You can work together to recharge your scarves and to help each other fly further. You can see how experienced the other player is by counting the rows of patterns on their robes. Most of the time these experienced players will help guide you to secrets. Sometimes you might play and beat the entire game and not even experience the multiplayer.

To top it off, the music in the game is brilliant. The composer Austin Wintory was nominated for a Grammy in 2013 for Best Score Soundtrack for his work on Journey. The nomination was the first for a video game soundtrack. It’s hard to say what Journey would be without Wintory’s work because his music fit so perfectly with the game.

Journey is one of those games that I keep going back too. I owned it on the PS3 and I just bought it again on the PS4. It’s a game that I’ll keep going back too as long as I own it. I understand why people would dislike it, but I personally think it’s a perfect game. If you were to play it I would strongly advise to play it in one sitting, with the lights off and the volume up. It’s not a long game, it’s not difficult and it’s pretty straight forward.

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Rocket League

I’m just going to come out and say it: Rocket League is one of the greatest sports games. It sits besides other classics like NHL ’94 and NBA Jam. The premise of the game is simple, football with cars. It plays like an arcade game. The game follows the philosophy of easy to learn, hard to master. Making a game with that philosophy is no easy feat, in this case the developers made the differences between each car miniscule. The biggest differences between each car is just maneuverability while you’re speeding and jumping around. The looks of each car can be customized, the game features a lot of decals, wheels, antennas and hats so you’ll be seeing a lot of wacky looking vehicles online. Best of all you unlock new cosmetic items after every game, win or lose. You can play 1 v 1 up to 4 v 4 players and best of all the game supports up to 4 player split screen.

This is a game that should be on every Playstation 4, it’s free for Playstation Plus members so grab it before the offer runs out.

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The Witcher 3: Wild Hunt

I like role-playing games, I like feeling immersed and I like getting lost in worlds that other people create. I was excited to try Witcher 3 because it seemed to have the things I wanted in a fantasy game. I’ve been playing it for about three weeks now and I’m far from being done but I think I have a pretty good picture of what the game has to offer and I’m liking it, it’s not without its annoying flaws but it’s still a lot of fun.

Like I said earlier, I love exploring the worlds that game designers create. Especially worlds that have established lore with a certain amount of depth. I like worlds that I explore to have a bit of a variety in scenery. It gets tiring to see one type of landscape in a game that I’m going to be spending 50+ hours in. So far I’ve put in at least 30 or so hours into the Witcher and the majority of the landscape are forests and open plains. The area’s that aren’t those two things are few and far between. I understand the fact that the Witcher has an established lore based on Slavic mythology so the game designers can’t create strange fantasy worlds like Bethesda does with its Elder Scrolls series. What helps keep the environments less bland in the Witcher 3 is the fact that they’re vibrant and the landscape feels alive. You’ll find animals, people and monsters wandering around. The trees also sway in the wind that you can hear howling when the weather becomes stormy or blowing gently when the weather is calm.


What’s sad is the amount of bugs I’ve encountered. They’re not game-breaking bugs that ruin your save or anything like that but little things that add up to become a major annoyance. In one instance I was talking with a herbalist who was telling me about a girl she was trying to help who was badly wounded in a monster attack. I (being the good Witcher that I am) offered to try and help her. As I turned to face the bed the girl was supposedly lying in, I found it empty. Puzzled, I looked around thinking there was a second bed, but found none. Suddenly the door to the herbalists home opens and the girl casually strolls to the bed, lies down and continues to writhe in pain. In another instance I was fighting monsters in the middle of nowhere and realized that I needed to sell some equipment to free up some space so I could continue hunting for treasure. I opened up my map and found the nearest town. When I got to the town I noticed something strange. I couldn’t speak to anyone. Not the merchant, not the innkeeper and not the blacksmith. It was in the evening so I assumed that it was past their work hours and so I meditated until morning. That didn’t help one bit. I just couldn’t speak to anyone. To make matters worse, when I went back to check on the blacksmith, he wasn’t at his forge where he was supposed to be. I rotated the camera around so I was facing away from it and I suddenly heard the familiar “clunk, clunk, clunk” sound of the blacksmith working, I rotated the camera around again and by some miracle he appeared at his forge. Having these two bugs overlap like that was frustrating and I had to quit my game and reload my save file which solved this particular problem. This next bugs that I came across made an impact on a small quest. While I was competing in the last of the horse races, my opponent magically disappeared into thin air when the countdown to race got to zero. This made the “race” easier, but it was incredibly frustrating to see this happen. But one of the most annoying bugs I’ve come across in the game is a bug that doesn’t allow you to start a certain side-quest. Thankfully it doesn’t seem like this particular side-quest is important, but the fact that I can’t start it just sucks. I’ve encountered plenty of other bugs playing Witcher 3, but they’re the typical bugs that you usually encounter in so many of these open world games: floating bodies, enemies stuck in walls, enemies falling through the floor and enemy loot disappearing, I’ve even had a treasure chest disappear and reappear after re-loading the game and finally, amusingly enough, it rains in-doors in some areas.


With that out of the way, I’d like to discuss some of the Witcher 3’s finer points. There are three things that I think games like the Witcher need to get right. Quest variety, world building/NPC’s and lastly combat. It doesn’t matter if a game has interesting quests if the world is boring and uninteresting to explore (looking at you Fallout New Vegas). To truly be a great game, not only do the quests and the games world need to be interesting and fun, but you need to have a good combat system to tie the game together (This is where Skyrim did poorly). This is where the Witcher 3 shines. Most of the quests are interesting and even though you’ll still encounter a fetch-quest here and there, they’re uncommon. Besides the main quest, you have side-quests, Witcher contracts and treasure hunts. And besides those quest types you’ll also find questions marks scattered across the world map for you to discover. Exploring these question marks tend to get repetitive because there isn’t a great variety of things hidden behind them. You’ll come across hidden treasure, abandoned towns, a monster nest or a bandit camp. Going after this question marks can be fun for a few hours but not for an entire game. One of the highlights of the game are the side-quests. The stories that you uncover through them are quite entertaining and interesting, the Bloody Baron constantly gets mentioned and rightly so. That particular side-quest is unpredictable and mysterious. The choices you make playing through that side quest matter, effecting the quest in one way or another at some point.


The environments you’ll be exploring in the game are massive. The first area the game introduces you too which is kind of “tutorial” area, is huge and filled with enough content to introduce you to all the various aspects of the game without getting boring. The area you go to after that is at least four times larger. The developers have done an amazing job at making the environments feel alive. There are a lot of games that have great looking environments. Having wildlife in open-world games is a norm now, but it’s the little details that make the environments come to life. There’s one aspect, an important one that I mentioned earlier that the Witcher 3 does differently than other games and that helps quite a bit and that’s the wind. You’ll be wandering through the environment, seeing the trees gently blowing in the wind, you’ll hear the breeze, it can actually be quite relaxing. Another aspect that helps make this world feel alive is the change you experience as the game goes on. Part of the games storyline involves a war between two empires and you’ll see the effect of war on the land. You’ll see a bridge being patrolled by a set of soldiers and you might come across that same bridge later in the game and find those same soldiers butchered and a camp nearby belonging to the soldiers of the opposing nation. This event wasn’t triggered by some quest or anything, it’s just war.

The Witcher 3: Wild Hunt_20150603004321

The combat in the game is engaging and not very button mashy. You can successfully button mash against weak enemies, but most of the time you’ll have to get used to dodging, attacking and effectively using your spells to cast magic. Combat can get annoying at times due to the fact that there isn’t a easy and quick way of changing spells on the go while you’re in the middle of a battle. There is one method where you can change your spells while holding the block button, but it doesn’t work well when you have six spells to flip through, especially when you’re in the middle of combat. Some monster can’t be beaten through brute force, they require you to combine your spells and your physical attacks together. For instance to defeat a wraith, you need to cast a magical trap, lure it in and then you can cause some damage. If you attempt to fight a wraith without casting the trap you’ll either end up dying or end up using too many potions. When you fight a group of humans, you won’t be fighting them one at a time (like Assassins Creed), you’ll have two or three enemies charging at you. Some enemies, like spear wielding solders, can’t be beaten by attacking them head-on, you’ll need to dodge and time your attacks. This is what makes combat interesting, each enemy requires a different style of combat.


The Witcher 3 is a great game, plagued with annoying little bugs. I definitely recommend it, as the pros outweigh the cons. The game is really long if you try to complete each side-quest, Witcher contract and treasure hunt and it’s decently long if you attempt to stick to the main quest (about 50 hours). I wouldn’t look any further if you’re looking for a new adventure to play.

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Tomb Raider or Lara Croft & a Series of Fortunate Events

Tomb Raider: Definitive Edition

Tomb Raider has been part of our gaming culture for quite some time. The first game came out nearly twenty years ago. Since then the franchise has taken quite a nose dive in terms of quality.The majority of the games aren’t that good. Since then, Nathan Drake has taken over most of the treasure hunting and adventuring in the Uncharted franchise. No one has really cared about Lara Croft or Tomb Raider for the most part of 10 years, even though they still put out more than six games in that time. The only one that really made an impact was 2013’s reboot, Tomb Raider.

Tomb Raider: Definitive Edition

Tomb Raider is a lot of fun, the game does the important things right. Controlling Lara is great, she moves in a very fluid and realistic way. If you jump off a high cliff or building she’ll stumble as she lands while continuing the forward momentum. Which in turns makes a large portion of the game a joy to play. Square Enix made a vital decision in creating an open world for the players to explore and run around in. Another important aspect of the game is the upgrading your skills and equipment. Some games shoehorn these role-playing aspects into their games, but with Tomb Raider it makes sense since you’re controlling a young Lara Croft who is growing with experience every time you do something new in the game.

For the most part, this game is great. But it relies too heavily on gimmicks that it constantly repeats throughout the game. For instance, every time it seems Lara is about to fall to her death she lands on that one wooden plank that somehow doesn’t fall apart, even though every other plank around it are getting ripped apart. I understand if it happens once, maybe twice, but I lost count on how many times Lara survives a deadly fall. It spoils the feeling of immersion. There has to be countless of ways Lara could escape a building or tomb other than miraculously surviving a deadly fall. Or in one instance, somehow finding a parachute in a plane (or was it a helicopter) that looked incredibly old and decrepit.

Tomb Raider: Definitive Edition

Lara is 21 in this game, has never killed anyone before or used any weapons previously. Yet she somehow is able to beat seasoned warriors and mercenaries in one on one combat and in huge gun battles. I know this is a video game. I know this point might seem nit-picky to some people, but the developers made such a big fuss about Lara’s first kill and how it impacts her, yet 5 minutes later she’s killing with no remorse and with the efficiency of an elite soldier. By the end of the game she has killed hundreds. Which is probably more people than those mercenaries killed. I feel as though the developers missed a huge opportunity to make this game stand out, to make it more unique than Uncharted. Instead they took the easy route and turned Lara Croft into Rambo. Lara’s first kill means nothing if we don’t see her being negatively impacted by it.

But even with these issues it’s hard to deny that those segments where Lara some how survives aren’t fun. Those set pieces are entertaining. Fighting an onslaught of continuous enemies and gunning them down makes you feel like you achieved something by surviving. Getting a head shot with my bow and arrow on a guy who is zip lining down a cliff is incredibly satisfying. All these things I just complained about doesn’t take the fun out of the game, they just seem out of place in a game that tells the story of how Lara Croft came to be, how she became a bad ass. Instead of gradually building her up into that amazing adventurer, we find out she turns into a skilled killer and bad ass instantly after her first kill.

Tomb Raider: Definitive Edition

I still highly recommend this game. Microsoft did a great job securing exclusive rights for it because this new Tomb Raider has the potential to compete with the Uncharted franchise and more competition is a good thing. I also recommend reading this article on the original development of Tomb Raider and how it all fell apart for Core Design. Shows some insight on how hellish game development can be and how something with so much potential can be ruined.

So if you haven’t yet, grab this game, it’s worth it.

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Bloodstained Igavania

(some random ramblings about “Igavania” and Bloodstained: Right of the Night)

It’s been less than 24 hours since “Igavania” got started and while I was excited at first I’m not so sure anymore. The more I thought about this whole thing the more this whole Kickstarter thing rubbed me the wrong way. If I were an indie developer I would probably be discouraged about how these events played out. Koji Igarashi new game seems to have a lot of gaming “star power” pushing it, with the 8 hour stream that features Ergoraptor and Colin Moriarty not including all the well known dev’s pushing it on Twitter. The game got funded in less than 30 minutes and it stands at a little over one million dollars right now, breaking all stretch goals except the last two.

96604819672297a658279ff19c1d35db_originalCan you guess which is Ayami’s art?

I have more issues with the game itself. The most obvious being the art direction. I complained about it at lengths on Twitter, but the concept art is not that good. Especially for an Igarashi Castlevania game. For those who don’t know, when you see good Castlevania art, that art was done by Ayami Kojima. So she started with Symphony of the Night, did art for the GBA Castlevania games and I believe the last one she did was The Dracula X Chronicles for the PSP. They went with the horrible, typical manga style art for two DS games and then went with an artist who tried to go back to a darker, more gothic theme for Order of Ecclesia.

Then there’s the fact that the game is not going to be a 2D Castlevania game. It’s going to be a 2.5D game. Whoever convinced Iga to do a 2.5D game is an idiot. Part of the beauty of his Castlevania games were the intricate, beautiful 2D visuals. Dracula X Chronicles, the PSP 2.5D remake of the Blood of Rondo looks like crap, the original Blood of Rondo had a much more interesting and unique style of graphics. I’ve just never been a fan of 2.5D games. Mighty No. 9 is a game that’s gone 2.5D and the visuals for that game just aren’t upto par with the 2D Mega Man X games. The only 2.5D game in recent memory that was done well was the Strider.

Lastly, I think some of the tiers for the Kickstart are kind of pricey. It includes a $60 physical copy of the game, the problem I have with this is that this isn’t a AAA game for them to charge us AAA prices. $60 is already a steep price for games in general. At $100 it includes the physical copy of the game, a keychain, a slipcase, a strategy guide, a lapel pin, the soundtrack and your name in the credits. It just sounds like a bit much. But hey, they funded it so I guess I’m in the minority here.

I know this post is pretty negative but I’m still looking forward to Bloodstained: Ritual of the Night. I’m excited to see what Iga and his team put out and to see some gameplay footage some time in the future. Iga deserves all this attention he’s getting and it’s about time he gets some recognition. And whenever the game comes out, I’ll definitely be playing it.

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Striking Gold with Splatoon


Earlier this week Nintendo announced the Splatoon Global Testfire, essentially a beta for everyone to try for an hour at specific times set by Nintendo. So instead of playing Monster Hunter with my friends last night, I was waiting patiently in-front of my Gamepad for the beta to start. It seems like I wasn’t the only one because once the beta started it felt like the majority of my Twitter feed was dedicated to the game. Nintendo basically made gamers, critics alike to schedule their lives around this one event so we can see what Splatoon is all about.

Nintendo really struck gold with the art direction and music that Splatoon is built around. If Nintendo can nail the single player mode than I think they have a new franchise on their hands. Considering Nintendo’s DLC plans for Splatoon the game might have an incredibly long life-span. It helps that the game is fucking fun. The rounds are short and quick and unless you have terrible team-mates, things can stay competitive till the very end. The beta featured 3 different maps, each map requires a slightly different strategy. Here’s where one of my complaints come in. You don’t know what map you’ll be playing when choosing which weapon you want to use. I’m not sure if this will be different in the main game, but knowing which map you’ll be playing can help determine which weapon you want to use. Not every weapon is effective in every map.

On the topic of weapons. A lot of people were using paint rollers online and have said the game isn’t balanced right because paint rollers seemed overpowered. I personally believe the paint rollers are a good newbie weapon, but it won’t be as effective once people play the game more. Each weapon has a secondary move/attack that can be effective against paint rollers, the Splattershot Jr. lets you can use bubble shields while the Splattershot lets you toss paint grenades. In the full game we’re also getting a bunch of equipment that will give players different stat boosts that I think will also help balance the game quite a bit. So I’m not really worried about one weapon dominating the rest.

So now we wait!

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